It’s opening night
…and I’ll pretty much be bringing home a Tony.
Christmas in August
This has potential to be good:
Ben Harper – In the Colors – from ‘Lifeline‘ due out Aug 28th
Where do you live?
I came across this map today from the 2000 census stats, it caught my interest for a minute or two. I’ve lived in all four of the different ranges at some point or my life or another. Some of the other things that I noticed include:
- The large white areas in Oregon, Maine, Northern Michigan, Northern Arizona, Ohio, and West Virginia. Northern California didn’t surprise me that much.
- The oddity of counties being extreme opposites next to each other. Like the one white spot in North and South Dakota, is that Tom Daschle’s house?
- Mormons live in one spot
I’d like to see this map overlaid with some other maps including voter registration and voting results maps. I’d also like to see what it would have looked like at certain points between then and now. I bet you would see some spikes at certain times (ie. September 11th and Katrina/Rita devastation). I know our church grew for a while after each of those events before slowly starting to taper off. Other ones that would be interesting to me to compare them to would be previous decades and maybe a current day version.
Who knows, maybe you won’t spend as much time thinking about it as I did…
Click the image for a larger version
Ted, I think we have a problem…
Is it color or colour?
I guess it depends on where you live. Also today I saw the word ‘Lead.’ Why do/did we make it so hard on ourselves by
a. giving multiple meanings or pronunciations to one word spelled one way (Lead, follow or get out the way; Don’t eat that paint, its Lead-based)
b. make so may words sound the same but spelled differently (their, there, they’re)
Anyways, back to color. I have always liked the following commercial for the Sony Bravia TV’s, its a few years old but always fun to watch. Take 250,000 ‘Superballs,’ a blocked off San Francisco street, no CGI, 23 camera men, and give them all one take.
I love everything about this commercial. The color, the balls bouncing, the frog, the kid looking around the corner, the way they balls get into everything including the storm gutters and the music by Jose Gonzalez.
From their (ere, ey’re) ‘How we did it’:
In an age when CGI is commonplace, this makes the commercial all the more extraordinary. Every single frame was shot over two days – with the main sequence involving a 23-man camera crew and only one chance to get it right.
An entire block was closed off and special compressed-air cannons shot the balls into the air, while earth moving equipment poured thousands down the street. Not that you’d know it from the finished product, but these balls can do some damage, so all the cars were props and crew members went so far as to having protective shields and crash helmets.
But when you get it right, you get it right. The goal at the beginning was to deliver a “really simple, visual celebration of colour”. We think you’ll agree the results speak for themselves.
It took a while but I think they’ve created another commercial on par with the bouncy balls. This time they outfitted some buildings, grass, and other things with paint cannons to achieve the ‘colour fest’ similar to fireworks. Although the clown scares me a little…
Watch it:
From the website:
Our latest TV ad – featuring massive paint explosions – took 10 days and 250 people to film. Huge quantities of paint were needed to accomplish this, which had to be delivered in 1 tonne trucks and mixed on-site by 20 people.
The effect was stunning, but afterwards a major clean-up operation was required to clear away all that paint!
The cleaning took 5 days and 60 people. Thankfully, the use of a special water-based paint made it easy to scrape-up once the water had evaporated.
Keeping everyone safe was also an important factor. A special kind of non-toxic paint was used that is safe enough to drink (it contains the same thickeners that are sometimes used in soups). It was also completely harmless to the skin.